Looking at the fountain we see that the inner workings are the exterior expression. Where, like a rhythmic pattern of creation, one cannot exist without the other. A protest, an act against the surface, a refusal of that which hides the inner workings.
The unconstructed, un-composed, unlocked, the free, the free, the free, the dedicated, the limited.
Mirre Yayla Seur’s drawings, audio, video and installations evoke questions about the body, but whose body and where it begins and ends are left open. Focussed on the encounter and the shaping factors around us, Mirre aims to investigate the dynamic relation of how she personally, and we as humans, relate to our outside world. Working with a vast array of materials from glass to metal, sand to textile Mirre blends together fragments that both reflect and absorb the residual traces of our very being.
